Gifts of Depression
From A guide for cultivating depth and sacredness in everyday life.
Articles By Thomas Moore (p137-142)

The soul presents itself in a variety of colours, including all the shades of grey, blue and black. To care for the soul, we must observe the full range of its colourings, and resist the temptation to approve only of white, red, and orange  the brilliant colours. The "bright" idea of colorizing old black and white movies is consistent with our culture's general rejection of the dark and the grey. In a society that is defended against the tragic sense of life, depression will appear as an enemy, unredeemable malady; yet in such a society, devoted to light, depression, in compensation, will be unusually strong.

Care of the soul requires our appreciation of these ways it presents itself.

Faced with depression, we might ask ourselves, "What is it doing here? Does it have some necessary role to play?" Especially in dealing with depression, a mood close to our feelings of morality, we must guard against the denial of death that is so easy to slip into. Even further, we may have to develop a taste for the depressed mood, a positive respect for its place in the soul's cycles.

Some feelings and thoughts seem to emerge only in a dark mood. Suppress the mood, and you will suppress those ideas and reflections. Depression may be as important a channel for valuable "negative" feelings, as expressions of affection are for the emotions of love. Feelings of love give birth naturally to gestures of attachment. In the same way, the void and the greyness of depression evoke an awareness and articulation of thoughts otherwise hidden behind the screen of lighter moods. Sometimes a person will come to a therapy session in a dark mood. "I shouldn't have come today," he will say. "I'll feel better next week, and we can get on with it." But I am happy that he came, because together we will hear thoughts and feel his soul in a way not possible in his cheerful moods. Melancholy gives the soul an opportunity to express a side of its nature that is a valid as any other, but is hidden out of distaste for its darkness and bitterness.

Saturn's Child

Today we seem to prefer the word depression over sadness and melancholy. Perhaps its Latin form sounds more clinical and serious. But there was a time, five or six hundred years ago, when melancholy was identified with the Roman god Saturn. To be depressed was to be "in Saturn," and a person chronically disposed to melancholy was known as a "child of Saturn." Since depression was identified with the God and the planet named for him, it was associated with other qualities of Saturn. For example, he was known as the "old man," who presided over the golden age. Whenever we talk about the "golden years" or the "good old days," we are calling up this God, who is the patron of the past. The depressed person sometimes thinks that the good times are all past, that there is nothing left for the present or the future. These melancholic thoughts are deeply rooted in Saturn's preference for days gone by, for memory and the sense that time is passing. These thoughts and feelings, sad as they are, favour the soul's desire to be both in time and in eternity, and so in a strange way they can be pleasing.

Sometimes we associate depression with literal aging, but it is more precisely a matter of the soul's aging. Saturn not only brings an affection for the "good old days," he also raises the more substantive idea that life is moving on: we're getting old, experienced, and maybe ever wise. A person even in his middle or late thirties will be in conversation and offhandedly recall something that happened twenty years ago. He will stop, shocked. "I've never said that before! Twenty years ago. I'm getting old." This is Saturn's gift of age and experience. Having been identified with youth, the soul now takes on important qualities of age that are positive and helpful. If age is denied, soul becomes lost in an inappropriate clinging to youth.

Depression grants the gift of experience not as a literal fact but as an attitude toward yourself. You get a sense of having lived through something, of being older and wiser. You know that life is suffering, and that knowledge makes a difference. You can't enjoy the bouncy, carefree innocence of youth any longer, a realization that entails both sadness because of the loss, and pleasure in a new feeling of self-acceptance and self-knowledge. This awareness of age has a halo of melancholy around it, but it also enjoys a measure of nobility.

Naturally, there is resistance to this incursion of Saturn that we call depression. It's difficult to let go of youth, because that release requires an acknowledgment of death. I suspect that those of us who opt for eternal youth are setting ourselves up for heavy bouts of depression. We're inviting Saturn to make a house call when we try to delay our service to him. Then Saturn's depression will give its colour, depth, and substance to the soul that for one reason or another has dallied long with youth. Saturn weathers and ages a person naturally, the way temperature, winds, and time weather a barn. In Saturn, reflection deepens, thoughts embrace a larger sense of time, and the events of a long lifetime get distilled into a sense of one's essential nature.

In traditional texts, Saturn is characterized as cold and distant, but he has other attributes as well. Medical books called him the god of wisdom and philosophical reflection. In a letter to Giovanni Cavalcanti, a successful statesman and poet, Ficino refers to Saturn as a "unique and divine gift."  In the late fifteen century, Ficino wrote a book warning scholars and studious people in particular to take care not to invite too much Saturn into their souls; because of their sedentary occupations, scholars can easily become severely depressed, he said, and have to find ways to counter their dark moods. But another book could be written about the dangers of living without study and speculation, and without reflecting on our lives. Saturn's moods may be dangerous because of their darkness, but his contribution to the economy of the soul are indispensable. If you allow his depression to visit, you will feel the change in your body, in your muscles, and on your face  some relief from the burden of youthful enthusiasm and the "unbearable lightness of being."

Maybe we could appreciate the role of depression in the economy of the soul more if we could only take away the negative connotations of the word. What if "depression" were simply a state of being, neither good nor bad, something the soul does in its own good time and for its own good reasons? What if it were simply one of the planets that circle the sun? One advantage of using the traditional image of Saturn, in place of the clinical tern depression, is that then we might see melancholy more as a vivid way of being rather than a problem that needs to be eradicated.

Aging brings out he flavours of a personality. The individual emerges over time, the way fruit matures and ripens. In the Renaissance view, depression, aging, and individuality all go together: the sadness of growing old is part of becoming an individual. Melancholy thoughts carve out an interior space where wisdom can take up residence.

Saturn was also traditionally identified with the metal lead, giving the soul weight and density, allowing the light, airy elements to coalesce. In this sense, depression is a process that fosters a valuable coagulation of thoughts and emotions. As we age, our ideas, formerly light, rambling, and unrelated to each other, become more densely gathered into values and a philosophy, giving our lives substance and firmness.

Because of its painful emptiness, it is often tempting to look for a way out of depression. But entering into its mood and thoughts can be deeply satisfying. Depression is sometimes described as a condition in which there are no ideas  nothing to hang on to. But maybe we have to broaden our vision and see that feelings of emptiness, the loss of familiar understanding and the structures in life, and the vanishing of enthusiasm, even though they seem negative, are elements that can be appropriated and used to give life fresh imagination.

When, as counsellors and friends, we are the observers of depression and are challenged to find a way to deal with it in others, we could abandon the monotheistic notion that life always has to be cheerful, and be instructed by melancholy. We could learn from its qualities and follow its lead, becoming more patient in its presence, lowering our excited expectations, taking a watchful attitude as this soul deals with its fate in utter seriousness and heaviness. In our friendship, we could offer it a place of acceptance and containment. Sometimes, of course, depression, like any emotion, can go beyond ordinary limits, becoming a completely debilitating illness. But in extreme cases, too, even in the midst of strong treatments, we can still look for Saturn at the core of depression and find ways to befriend it.

One great anxiety associated with depression is that it will never end, that life will never again be joyful and active. This is one of the feelings that is part of the pattern  the sense of being trapped, forever to be held in the remote haunts of Saturn. In my practice, when I hear this fear I think of it as Saturn's style, as one of the ways he works the soul  by making it feel constrained, with nowhere to go. Traditionally, there is a binding theme in saturnine moods. This anxiety seems to decrease when we stop fighting the saturnine elements that are in the depression, and turn instead toward learning from depression and taking on some of its dark qualities as aspects of personality.

Keywords: Gifts of Depression, sacredness, guide, soul, awareness, Thomas Moore, Intuition, Intuitive, Articles, UK, South Africa, Cape Town

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